Walk into any reputable shop, and you'll hear the term 'flow.' It's the holy grail of composition. A design that looks impeccable on an iPad screen can turn disastrous when applied to the human form. Why? Because you are not a canvas; you are a moving, breathing topography of peaks and valleys.

Consider the forearm. It twists. It expands when you grip something and lengthens when you relax. A perfectly straight geometric line drawn on a static stencil will look warped the moment you reach for your coffee. This is where the 'sticker effect' ruins good art—placing a design *on* the body rather than designing *with* the body.

This is why we built TryOn.ink's body mapping. When you upload a photo of your shoulder or calf, you aren't just checking the size. You're stress-testing the placement. You can see if that tiger's eye disappears into your armpit when you move, or if the text wraps awkwardly around the curvature of your thigh, making it illegible.

The best collectors know that placement dictates design, not the other way around. By visualizing the wrap before the appointment, you respect the geometry of your own skin. You ensure the art moves with you, aging gracefully as a part of your physiology, rather than an interruption to it.